ROBERT CAMPBELL STUDIO
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  • Installation
    • Manifold, 2018
    • Solastalgia, 2017
    • Red Forest, 2015
    • Beauty, 2014
    • Dissolution of Order, 2014
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    • Kukai, 2013
    • Kukai: Sea and Sky, 2012
    • Nude Descending a Staircase, No. 3 (after Duchamps), 2012
    • Constellation, 2011
    • Yellow, 2007
    • Dreamers, 2007
    • Lull, 2007
    • Floating Plaster, City Motion, 2006
    • Haecceity, 2004
    • Two Timepieces, 1999
    • XY, 1994 - 2011
    • Pilchuck Artist Residency, 2007
    • Pilchuck Hauberg Fellowship, 2006
  • Prints
    • Haecceities, 2026
    • Parallel Trajectories, 2021
    • Geometry Color Studies, 2021
    • Interior Geometry Studies, 2020
    • Soft Geometry Studies, 2020
    • B&W Geometry Studies, 2020
    • Instruments of Inquiry, 2020
    • Oregon Sketches, 2020
    • Photogrammetry, 2020
    • Photogrammetry, 2016-19
    • Solastalgia Prints. 2018
    • Archival Prints. 2014
    • Archival Prints, 2010-13
    • Archival Prints, 2008
    • Archival Prints, 2006
    • Archival Prints, 2000-2005
    • Gelatin Transfers, 2005
    • Polaroid Transfers, 1999
  • Video
    • Tul a., 2024
    • Manifold, 2024
    • An Ter Atamiso, 2024
    • Sa The Go Eliclu, 2024
    • Astatos, 2024
    • Remember, 2024
    • Study No. 294, 2023
    • AI Tests, 2023
    • Journal Entry, 2021
    • Language of Change: Alviano Geometries, 2021
    • Solastalgia, 2017 (single channel)
    • Schizzotecchi, 2016
    • Study V, 2016
    • Pulchrior in Luce, 2012
    • Delta of C16H22O4, 2007
    • Redress, 2005
    • Tilt, 2005
    • Eidolon, 2004
    • A Clear Day and No Memories, 2002
    • Leicht und zart, 2000
  • Performance
    • Manifold2, 2018
    • Her Name Is Isaac, 2016
    • Vessel, 2005
    • jane, 2004
    • To Restrain the Pillow, 2002
    • wreck tangle, 2001
  • About
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  • Press
    • 2012 - 2014
    • 2006 - 2011
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Picture
The Behnke Family Gallery at Cornish College of the Arts

Robert Campbell: Haecceities

Sabbatical Exhibition
January 16 - February 14, 2026

curated by:
Preston Wadley

Opening Reception:
Friday, January 16     
4:30 - 7pm 


The Behnke Family Gallery
1077 Lenora Street
Seattle, WA 98121   



Video link to Haecceities No. 2 (top center image below)

Video link to Exhibition Video Documentation

​                                                                                        Download or view Haecceities Catalog PDF below
                                                                                        Catalog Design by Dan Shafer

Your browser does not support viewing this document. Click here to download the document.

Picture
9th Avenue Gallery at Cornish College of the Arts

​Jeju Island Artist Collective is pleased to present Smallish: Seattle, the 5th iteration of its ongoing international exhibition dedicated to small-scale works with high ambitions. This edition brings together artists from Korea and the United States, working in drawing, painting, sculpture, textiles, technology, and video.

​In this show, smallness invites intimate attention. The works are not preparatory or fragmentary; each is complete, yet deliberately contained. Through constrained formats and economical gestures, they focus on a rich range of content, inviting interaction and influence. Situated in Seattle, the exhibition takes on an added inflection. The city’s position as a threshold—between Pacific geographies, economies, and cultural flows—echoes the exhibition’s interest in translation and exchange.
​
Smallish: Seattle continues the collective’s commitment to artist-driven curation and cross-cultural dialogue, while shifting emphasis toward the specificity of encounter. What emerges is not a survey of small works, but a calibrated field of relations—where scale sharpens perception, and limitation becomes a generative framework.


https://jejuislandart.cargo.site/SMALLISH-Seattle​



re:morse, 2026  
6" x 5" x 5" 
handblown glass, magnifying glass, square video monitor + Raspberry Pi, video
The composited video consists of a poem written out in Morse Code as an homage to my late father, who taught me Morse Code when I was 11. The communication system, famous for its universally recognized S.O.S. message, is overlaid with glitchy photogrammetry animations done with Agisoft Metashape and staccato Isadora treatments.


etc.etra, 2026  
2.5" x 3.75" x 3.5"  
magnifying glass, square video monitor + Raspberry Pi, video
A reiteration of re:morse, there is an added depth pass through Reilly Donovan’s Rutt Etra software.

​
​sub:plot, 2026 
5" x 5" x 5"  
handblown glass, typewriter keys
A reference to a mostly extinct pre-digital messaging technology, hidden in plain sight.

About Jeju Island Artist Collective

Founded in 2020, the Jeju Island Artist Collective has produced a range of collaborative exhibitions, including their 2021 presentation at Bliss on Bliss Art Projects in Queens, New York. In 2024, the Collective was featured in Parallels and Rupture, an ambitious exhibition curated by Matthew Garrison at the Freedman Gallery, Albright College, in Reading, PA. As curators, the Collective organized the 28-artist exhibition Survival Tactics For the Age of Ultra Anxiety at Flux Factory, NYC, responding to the urgent conditions of the COVID pandemic. Most recently, Jeju Island Artist Collective launched a collaborative exhibition, “Panic Room,” at Vestibule Gallery in Seattle, Washington.

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  • Home
  • Exhibitions
    • Exhibitions, 2026
    • Exhibitions, 2025
    • Exhibitions, 2021
    • Exhibitions, 2020
    • Exhibitions, 2019
    • Exhibitions, 2018
    • Exhibitions, 2017
    • Exhibitions, 2015
    • Exhibitions 2014
    • Exhibitions, 2013
  • Installation
    • Manifold, 2018
    • Solastalgia, 2017
    • Red Forest, 2015
    • Beauty, 2014
    • Dissolution of Order, 2014
    • Interval Two, 2013
    • Kukai, 2013
    • Kukai: Sea and Sky, 2012
    • Nude Descending a Staircase, No. 3 (after Duchamps), 2012
    • Constellation, 2011
    • Yellow, 2007
    • Dreamers, 2007
    • Lull, 2007
    • Floating Plaster, City Motion, 2006
    • Haecceity, 2004
    • Two Timepieces, 1999
    • XY, 1994 - 2011
    • Pilchuck Artist Residency, 2007
    • Pilchuck Hauberg Fellowship, 2006
  • Prints
    • Haecceities, 2026
    • Parallel Trajectories, 2021
    • Geometry Color Studies, 2021
    • Interior Geometry Studies, 2020
    • Soft Geometry Studies, 2020
    • B&W Geometry Studies, 2020
    • Instruments of Inquiry, 2020
    • Oregon Sketches, 2020
    • Photogrammetry, 2020
    • Photogrammetry, 2016-19
    • Solastalgia Prints. 2018
    • Archival Prints. 2014
    • Archival Prints, 2010-13
    • Archival Prints, 2008
    • Archival Prints, 2006
    • Archival Prints, 2000-2005
    • Gelatin Transfers, 2005
    • Polaroid Transfers, 1999
  • Video
    • Tul a., 2024
    • Manifold, 2024
    • An Ter Atamiso, 2024
    • Sa The Go Eliclu, 2024
    • Astatos, 2024
    • Remember, 2024
    • Study No. 294, 2023
    • AI Tests, 2023
    • Journal Entry, 2021
    • Language of Change: Alviano Geometries, 2021
    • Solastalgia, 2017 (single channel)
    • Schizzotecchi, 2016
    • Study V, 2016
    • Pulchrior in Luce, 2012
    • Delta of C16H22O4, 2007
    • Redress, 2005
    • Tilt, 2005
    • Eidolon, 2004
    • A Clear Day and No Memories, 2002
    • Leicht und zart, 2000
  • Performance
    • Manifold2, 2018
    • Her Name Is Isaac, 2016
    • Vessel, 2005
    • jane, 2004
    • To Restrain the Pillow, 2002
    • wreck tangle, 2001
  • About
    • Bio
  • Press
    • 2012 - 2014
    • 2006 - 2011
  • Links
    • Soundcloud
  • Contact
    • Email